lunes, 21 de abril de 2014
viernes, 11 de abril de 2014
Eterno & 9 Elementos presentan... Hiphop en Español Vol.1
Aquí les dejo una compilación de los mejores "tracks" en el Hiphop hispano de la última década. Encontrarás MC's de Puerto Rico, Méjico, República Dominicana, Chile, Argentina, Cuba, Venezuela Y España. Espero sea de su agrado
-Eterno-
Tracklisting
1. Tote King- Mentiras
2. Cevladé- Mis Principios No Son Show
3. Siete Nueve- Nostalgia (Remix)
4. Aldo feat. Silvito- La Vida Es Así
5. Nach- Palabras
6. Intifada- Yo Creo
7. Canserbero- Es Epico
8. Ikol Santiago- Pueblo Inquieto
9. Los Aldeanos- El Rap Es Guerra
10. Boca Floja- Tiempo
11. Violadores Del Verso- Vivir Para Contarlo
12. Coo-kee & Nébula- Epoca Fabulosa
13. Espadasofía- Nada Es Como Antes
14. Xhelazz- La Soledad Comienza
15. Randy Acosta- Mi Ventana
16. Akil Ammar- Mi Barrio
17. Babalu Machete- Perdoname Madre
18. Mustafa Yoda- El Niño
martes, 8 de abril de 2014
martes, 25 de marzo de 2014
martes, 18 de febrero de 2014
VAGA ft. NEGRO - ASI SE VIVE (video oficial)
162 MOTA NOS TRAE ASÍ SE VIVE, HIPHOP TRACK PROD. VAGA FT NEGRO PARA ESENCIA ENTERTAINMENT.
miércoles, 5 de febrero de 2014
Fico Rodz Ft. Jibaro Da' Mist- Agua Pa La Mata
Fico & Jibaro hermanos por parte del Hip Hop, nos unimos con Francisco Feliú de Pan2Films para no perder la costumbre y soltar unas cuantas rimas sobre el "beat" de Killa K en visuales.
Agradecimientos cordiales para:
Pierre Joseph Devaris-Martinez por prestarnos su apartamento como escenario,Vagabundo por grabarnos la canción, a Pan2Films por el vídeo.
Lugares Culturales de San Germán , Casa Histórica Sangermeña frente al Porta Coeli, Barriada Sal Si Puedes de San Germán, Plaza Santo Domingo en San Germán, Primera iglesia católica en PR Porta Coeli San Germán, lugar abandonado en la Carretera el Cotto el cual esta en un gran valle donde se sembraba caña, se recogía y se producía azúcar
Agradecimientos cordiales para:
Pierre Joseph Devaris-Martinez por prestarnos su apartamento como escenario,Vagabundo por grabarnos la canción, a Pan2Films por el vídeo.
Lugares Culturales de San Germán , Casa Histórica Sangermeña frente al Porta Coeli, Barriada Sal Si Puedes de San Germán, Plaza Santo Domingo en San Germán, Primera iglesia católica en PR Porta Coeli San Germán, lugar abandonado en la Carretera el Cotto el cual esta en un gran valle donde se sembraba caña, se recogía y se producía azúcar
martes, 4 de febrero de 2014
Scene Report: Puerto Rico’s Hip-Hop Renaissance
Santo Rito crew: Skew, Robertito Chong, Vladi and Sam Rala
By MTV Iggy
February 3, 2014
Words by Amaya García
You could argue that Monday is the least “party day” of the week, what with having to get up early for work the next day and dealing with that pesky hangover. This is not so for the San Juan hip-hop scene, which hosts its longest running weekly party every Monday night at La Respuesta in Santurce. The party, hosted by the legendary DJ Velcro officially starts at 10 pm, but, as with most shows in Puerto Rico, the start time is just a suggestion. Everyone knows the party really gets going around midnight when the line outside starts to disappear around the corner and everyone inside looks like they’re dancing to their personal jam. It’s one of those rare nights where you see the space packed with people from all walks of life.
Much like he did with “Hip Hop Vox,” the radio show he produced and co-hosted alongside Angelila Rosa (AKA Gitana) for a decade on Radio Universidad de Puerto Rico, in these nights DJ Velcro spins records of the newest hits mixed in with old school hip-hop, R&B, and some dancehall classics. Among other things, the show (now hosted by Hi-5 and Blen) and the party, have both helped expose different people to the genre and school them in the yawning abyss of differences between hip-hop and reggaeton. “It started as a mellow/lounge-type music night,” explains Velcro. “We used to place cushions on the floor and candles; people could go and relax. Afterwards, when it moved to Café Seda — and then to La Respuesta — it became the hip-hop party that it is now.”
If you’re an outsider, navigating the Puerto Rican hip-hop scene can be a pretty complicated affair: News of shows and mixtapes are circulated mostly within those groups in the know. Nonetheless, Velcro’s night, and its offshoot party “El Triumvirato” with scene veterans DJ Adam and DJ Davey, is a fine place to start. The DJ, who started out in 1999 as an MC when he migrated back from the US, is one of the mainstays of the old school who has witnessed the seachange within the scene since the beginning of the millennium when, he recounts, it was at the height of its productivity and popularity.
With various mixtapes, such as the popular Kelo Kenton series, full-length albums and innovative projects like his live hip-hop band Lado Ve, he’s the perfect artist to hypothesize about what is happening right now in 2014. As he sees it, it’s a rebirth of sorts, fueled in part by the internet. “I’m seeing a new force, new people that want to make things happen, like Santo Rito, Álvaro Díaz and Fuete Billete. I think it’s a different panorama with different opportunities. The drive is the same, but the intentions are different.”
His school of hip-hop — more in line with the conscious rap of KRS-One, Common and Talib Kweli — more or less established a canon still followed by a lot of those in the game today. Artists who have and still are rhyming with a social conscience and an equally important party edge, like SieteNueve, Nébula, Intifada, TekOne, Luis Díaz and Ikol Santiago, not only remain reference points for a younger generation, but have stayed active and highly relevant within the circuit. In Puerto Rico, conscious rap has never left the building. In fact, as in much of South and Central America, it is still as hot as ever, bringing to the forefront important issues like the never-ending political and social unrest.
These artists are also blazing the trail in another arena: connecting the San Juan hip-hop scene with the tight-knit Western circuit. One of them is Ikol Santiago, who recently put together a show with hip-hop talent from the Añasco circuit, such as the incredible freestyler Negro González, and included visual artists, painters, clothes designers like Pícalo and skaters, all of who push the scene forward through their various mediums.
Santiago and González together on stage is a force to be reckoned with. Amidst the sweat caused by the spotlights on them, you hear and feel nothing but a spirit of collaboration and respect for each other’s craft and style.
Formerly from the Absoluto Independiente collective (still functioning as rapper Bebo’s project), González now works with Patrio Ritmo in the West Coast, alongside rapper Chagui Vargas. They play shows along the Northwestern and Southwestern coast in places like the up and coming venue Bembelé, often to a full house. There’s constant recording, in studios like On Q, and homegrown video production projects, mostly revolving around hip hop and skating. This cohesion, along with the commitment from these rappers who are also running community projects, is what is uniting a fragmented scene towards a common goal.
González is involved in Vargas’ Patineteros, a skating organization that, according to their statement, promotes social values through sports, education and culture. “Chagui is a skater,” González explains. “He works at a skate park in Rincón, and he visits schools and gives talks to the kids. Whenever I can, I help him out during the activities and always end up rapping for them. That’s how we take rap to schools and, through hip hop, collaborate with them”.
Seeing people from all different stripes collaborate with each other is not uncommon here. Take, for instance, the masked revolutionary, Recluso. It still baffles me how, in a circuit so small, he’s managed to maintain his identity a secret almost seven years running. He’s an enigmatic character who pulls out inspiration from the unlikeliest of sources, like the Tabla Periódica series, where he created beats inspired by every element that forms the world. He’s also maintained close ties to the independent rock scene, which helped him create Versus, where he reinterprets songs from Fantasmes, Los Vigilantes and Mima, to name a few.
Recluso
The Río Piedras based collective Santo Rito, formed by Vladi, Skew, Sam Rala and Robertito Chong, form part of the same community as Recluso, which surrounds the University of Puerto Rico. Due to its diversity, it has always been a hot bed for new acts. “We wanted people to feel that, even though we’re from different cities and we have different perspectives, we move in this space, work, play and have made it our home”, says Vladi. They got together partly because of the massive student strike against tuition hikes in 2010 and 2011, and have maintained their stance in creating a balance within their lyrics.
“I think we have to keep this diversity,” says Skew. “If I’m going do party records, than that’s great, but let me put some social content in there. With 16 bars, you can do something super constructive. If you’re gonna talk about weed, you can talk about how unfair it is to get three years in jail for a plant … you know?”
“I think that the rapper can’t distance himself from the people,” reflects Vladi, a current student concentrating on creating rap with themes close to home. “If you’re writing from here, you can write the party rap, but state some problems and give solutions. You have to figure out what’s better: to be heard somewhere else or to be heard by people here? I want to plant that seed. I may not cross over, but I will have played in different communities.”
A big part of the scene is comprised of conscious rappers, but there are also those making music ready-made for a crossover to a more global audience. The jury’s still out on whether it’s in the direction of North American hip hop, like trap and crunk, or its Latin American counterpart. I’m talking about newcomers Álvaro Díaz and Fuete Billete, whose beats and style reflect more of an influence from the newest versions of gangster rap and Southern styles like chopped and screwed.
For rappers like the Santo Rito crew, artists like Pete Rock are important, but the real influences come straight from Latin America, Spain and San Juan. Vladi, for example, cites Puerto Rican rapper Welmo and Chilean rapper Portavoz, while beat maker Sam Rala’s influences range from Cypress Hill to scene native EA Flow. But, whether it be from the Dirty South or Santiago, the fact is that most of the artists feel a closer bond with the Latin American hip-hop movement. Rappers like Santiago, SieteNueve and González are doing their part by collaborating with their counterparts in México, Argentina, Colombia and Spain, like GAS-LAB, Jim B and Bocafloja, among others. All the while, giving spotlight to prime homegrown beatmakers like Yallzee, Cookee and NuffCed.
“It’s very important for us to be connected to what’s going on in Latin America because they’re really watching what we do,” Santiago says. “Part of the reasons why these collaborations need to happen is the chance to get to know each other in person and to feel part of the wider Latin American scene,” he continues.
Much like in the indie rock scene, there are a handful of venues open to booking hip-hop acts regularly, like La Respuesta, El Local and Nuestro Son in Old San Juan, just not as regularly as one might hope. Even so, there’s no stopping Puerto Rican hip-hop artists and their drive to keep the scene up and running, whether on-site through shows and the popularization of mixtapes, on the internet or through community action. Most agree that, while the spirit of collaboration is there, a stronger sense of unity — whether it’s avoiding competing shows on the same night by sharing the bill or just helping a mixtape spread — is the one thing that will help them move forward together. Acceptance is coming slowly, but happening nonetheless, and it’s not very hard to imagine nights like Velcro’s being commonplace again. “I think things are moving really well and I hope that keeps us growing,” says González. “People have started to believe in the scene again.”
miércoles, 29 de enero de 2014
Matiah Chinaski & Brous Uno - Elba Surita
01. Senora NoMeImortaNa
02. Mala Vola (El Aburrido)
03. Cancion De Cuna feat. Nadie
04. Perdiendo El Tiempo
05. No Problemo feat. Niel Braun
06. Foto En La Pared
07. Gorilas feat. Naranjuano
08. Ciudadano Marrano Marciano
09. Ganas De Nada feat. Terry El Terrible & Bene
10. Manifestasound
11. Sin Explicacion feat. Mantoi
12. Cancion Vieja Escondida
domingo, 26 de enero de 2014
Bebo- Otro Día Más
MC Boricua del pueblo de Añasco. Miembro del grupo Absoluto Independiente nos deleita con este su primera producción como solista. Una de la mejores producciones del año 2013. Espero sea de su agrado.
Tracklisting
1. Intro
2. Rap Del Alma
3. Absoluto Independiente
4. Otro Día Más
5. Espino
6. Asi Somos
7. Palante Siempre
8. Define Lo Real
9. Tremendo Palante
10. Me Gusta El Rap
11. Dialecto De Barrio
12. Un Dedicado
13. Outro
jueves, 23 de enero de 2014
Intifada- Venezuela 1/22/2014
Con hip hop de Intifada fue recibido el Presidente Nicolás Maduro en el Foro Por Un Puerto Rico Libre e Independiente.
martes, 14 de enero de 2014
Ikol Santiago - Mili ft Hector Mario(Gas-Lab RMX) Taller 2C1
Primer video de -IGUACAS- (ALBUM DEBUT)http://ikolsantiago.bandcamp.com/
El tema contiene dos versiones.....la primera y original del álbum -IGUACAS- es prod. por Jim B. http://jimb.bandcamp.com/ y la de este video es prod. por Gas-Lab http://gas-lab.bandcamp.com/.
La versión original de "Mili" es precisamente lo que estaba sintiendo en ese momento y la prod. musical cumple con todo el sentimiento. Decido hacerle video a esta versión (RMX) porque ya han pasado alrededor de ocho meses desde el lanzamiento de -IGUACAS- y ya encuentro que un tema como este de ámbito tan personal, ha pasado por un termino de sanación. Significa que musicalmente esta versión RMX trae un feeling de superación y respiro sin quitarle absolutamente nada a la aportación original de Jim....simplemente son dos versiones bien genuinas que acompañan una historia genuina para una dama muy genuina. Cuento con la participación de Hector Mario en la flauta para esta versión RMX que le agrega ese toque de sutileza.
Produccion del video a cargo de Taller2C1https://www.facebook.com/Taller2C1
http://www.youtube.com/user/Taller2C1... ......gracias por acompañarme en esta travesia, por transmitir y ayudarme a ejecutar ideas para el video!
Salud!!
Para: HILDA MILAGROS RIVERA SANTIAGO
Sigues conmigo!
-IGUACAS-
©2014 íKOL SANTIAGO
Entra y descarga gratis el RMX y version original aquí............http://ikolsantiago.bandcamp.com/trac...
http://ikolsantiago.bandcamp.com/trac...
El tema contiene dos versiones.....la primera y original del álbum -IGUACAS- es prod. por Jim B. http://jimb.bandcamp.com/ y la de este video es prod. por Gas-Lab http://gas-lab.bandcamp.com/.
La versión original de "Mili" es precisamente lo que estaba sintiendo en ese momento y la prod. musical cumple con todo el sentimiento. Decido hacerle video a esta versión (RMX) porque ya han pasado alrededor de ocho meses desde el lanzamiento de -IGUACAS- y ya encuentro que un tema como este de ámbito tan personal, ha pasado por un termino de sanación. Significa que musicalmente esta versión RMX trae un feeling de superación y respiro sin quitarle absolutamente nada a la aportación original de Jim....simplemente son dos versiones bien genuinas que acompañan una historia genuina para una dama muy genuina. Cuento con la participación de Hector Mario en la flauta para esta versión RMX que le agrega ese toque de sutileza.
Produccion del video a cargo de Taller2C1https://www.facebook.com/Taller2C1
http://www.youtube.com/user/Taller2C1... ......gracias por acompañarme en esta travesia, por transmitir y ayudarme a ejecutar ideas para el video!
Salud!!
Para: HILDA MILAGROS RIVERA SANTIAGO
Sigues conmigo!
-IGUACAS-
©2014 íKOL SANTIAGO
Entra y descarga gratis el RMX y version original aquí............http://ikolsantiago.bandcamp.com/trac...
http://ikolsantiago.bandcamp.com/trac...
miércoles, 8 de enero de 2014
jueves, 2 de enero de 2014
domingo, 29 de diciembre de 2013
lunes, 23 de diciembre de 2013
martes, 17 de diciembre de 2013
Velcro- Kelo Kenton 2
En el espíritu del primer "Kelo Kenton", aquí compilo canciones que he lanzado entre álbumes y mixtapes, remixes, y algunos temitas nuevos. Si bien en mis discos me puedo ir por la conceptual, en los mixtapes me voy nada más que por la de meterle. Agradecido por siempre, a todos y cada uno de ustedes que leen esto, por el apoyo.
Gracias a todos los músicos, productores, MC's, cantantes, DJ's, poetas, ingenieros, artistas y corillo que le metieron en las canciones de esta producción. Es por el compartir con las joyas de personas que son ustedes, que yo sigo explorando en estos embelecos. Gracias por el voto de confianza conmigo, de corazón.
lunes, 9 de diciembre de 2013
9 Elementos & Eterno presentan... Lo Mejor Del Hiphop Boricua 2013
Aquí les dejo una compilación que hago todos los años donde agrupo lo que para mi fue lo mejor del año (2013). Esto es sólo una opinión de este servidor. De ninguna manera quiero quitarle méritos a los demás proyectos que salieron este año. Puede ser que se me haya quedado algo por escuchar. También sólo incluyo 80 minutos para que el que lo baje pueda pasarlo a un CD. Así que espero lo disfruten. Att. Eterno
Tracklisting
1. Vladi- A diario
2. Ikol Santiago- Tampoco tanto
3. Lil Man- It's not lo mismo
4. Kenny Wright- Rapskillz
5. Ikol Santiago- Deprestimulantes
6. El More ft. EBRS- De aki y de alla
7. 162 Mota ft. Negro- De Gratis
8. Mr. Show the flow- El Party Va
9. Reflejo- Es Calle
10. Bebo- Definelo Real
11. EA Flow- Cuando tu llegaste
12. Nuro- N.U.R.O.
13. Caguama ft. Jibaro- Brisa en la mano
14. Correa Cotto- Nunchaku
15. Va Rez- Marcando Palabras
16. EA Flow, Nebula, Velcro, Ikol- A San Juan Minute
17. Santo Rito- Xilófonos
18. Kase- Sigues Conmigo
19. Fico- Anoche soñé con la skate
20. Siloe Andino- La Misma Lucha
21. No Mel Syndicate- I'm on my way
viernes, 22 de noviembre de 2013
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